The Anatomy of Oil (2009 - 2011)
Archival pigment prints
Sculpture: wooden stretcher bars; shrink wrap; bubble wrap
(To view full-sized images, click thumbnails above.)
The Anatomy of Oil explores our relationship to time, and to the membrane of the "wrapper" as a signifier of absence or not-having -- material considered valuable only in its ability to protect and contain the central objects of value. I investigate the reversal that happens when these materials shed their role as wrappers and lay full claim to a role as the primary object of value. The reflectivity of the plastics used capture ambient light and create new optic experiences over the course of the day, forefronting the temporal experience of the viewer.
2011 Exquisite. University Gallery, Univ of Mass., Dartmouth. New Bedford, MA
2011 Material/Image. Brickhouse Gallery, Sacramento, CA
2011 Material/Image. Reynolds Gallery, Univ of the Pacific, Stockton, CA
2010 I-95 Triennial. University of Maine Museum of Art. Bangor, ME
2010 Pleasant St Industrious. Easthampton Center for the Arts. Easthampton, MA
2009 Archetime. Tank Space for Performing and Visual Arts. New York, NY
2009 Aferro Benefit. Gallery Aferro. Newark, NJ
Ast, Olga, ed. Infinite Instances: Studies and Images of Time. MBP/Random House. 2011. pp 190-191.